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I feel like the simplified and cliched ideas about slashers that informed Scream kept me from discovering the strange and wonderful world of actually-good slashers like Sleepaway Camp, Happy Birthday to Me, Tourist Trap, etc. Like, a lot of them are surreal and moody and great.

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All of the negative reviews of Alita are like “it follows the manga even when it shouldn’t, which makes it not feel like a hollywood movie, & it fits 4.5 volumes of manga into a 2 hour movie”

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All of the positive reviews of Alita are like “it follows the manga even when you don’t expect it to, which makes it not feel like a hollywood movie, & does the best job it possibly could fitting 4.5 volumes of manga into a 2 hour movie”

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Bad idea of the day: Do a free machine-generated text class at a library (using tracery or something), self-publish the course materials as a book (with proceeds going to the library as donations), & get a couple copies for the stacks.

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Avoiding the tendency toward recentralization is a (if not the) primary concern of anarchocommunist & left-libertarian political philosophy, so the association between ancaps & ‘decentralizaiton’ seems strange.

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The ‘writing criticism’ curator wrote a review of MfoM where they claimed that the characters were flat but the plot was engaging. I consider this a success, since I was worried about plot (since I don’t ‘get’ it).

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I think maybe the reason I’m not impressed by DeepFakes is that I can’t identify people by their faces reliably anyway, while I’m very good at identifying when something is horribly dithered, so it seems pointless.

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